{"id":1536,"date":"2018-12-18T10:15:16","date_gmt":"2018-12-18T09:15:16","guid":{"rendered":"https:\/\/littexpress.iut.u-bordeaux-montaigne.fr\/?p=1536"},"modified":"2019-01-28T23:15:42","modified_gmt":"2019-01-28T22:15:42","slug":"mallock-le-principe-de-parcimonie","status":"publish","type":"post","link":"https:\/\/littexpress.iut.u-bordeaux-montaigne.fr\/index.php\/2018\/12\/18\/mallock-le-principe-de-parcimonie\/","title":{"rendered":"MALLOCK,\u00a0Le Principe de Parcimonie"},"content":{"rendered":"

MALLOCK,\u00a0<\/strong>Le Principe de Parcimonie<\/em><\/strong><\/h1>\n

\u00a0<\/em><\/strong>Fleuve Noir, 2016
\n<\/strong>ISBN\u00a0: 9782265114456<\/strong><\/p>\n

\u00a0<\/strong>\u00a0<\/strong>Sous le pseudonyme de Mallock se cache Jean-Denis Bruet-Ferreol, peintre, photographe, designer, inventeur, compositeur et \u00e9crivain.<\/p>\n

Le Principe de parcimonie<\/em> est le cinqui\u00e8me volume d\u2019une s\u00e9rie de thrillers litt\u00e9raires et baroques intitul\u00e9s \u00ab\u00a0Les chroniques barbares\u00a0\u00bb\u00a0:\u00a0\u00ab\u00a0tentative d\u2019\u00e9crire une \u00ab\u00a0com\u00e9die (in)humaine\u00a0\u00bb sur le mode policier, d\u00e9crivant les diff\u00e9rentes raisons et facettes que peut prendre le mal chez l\u2019homme et qui le conduisent in\u00e9luctablement \u00e0 la barbarie\u2026\u00a0<\/em>\u00bb (pr\u00e9sentation de l\u2019auteur, \u00e9dition Fleuve noir).<\/p>\n

Pouvant \u00eatre lus ind\u00e9pendamment les uns des autres, ces livres ont toujours trois niveaux\u00a0: un niveau mythologique, un niveau narratif, un niveau purement litt\u00e9raire.<\/p>\n

Le Principe de parcimonie<\/em> ne fait pas exception \u00e0 la r\u00e8gle. Le commissaire Mallock a fort \u00e0 faire avec un justicier psychopathe qui prend au pied de la lettre la th\u00e9orie d\u2019un moine du Moyen-\u00e2ge appel\u00e9e \u00ab\u00a0le rasoir d\u2019Ockham\u00a0\u00bb.<\/p>\n

Ce principe de raisonnement philosophique est aussi\u00a0 d\u00e9nomm\u00e9 \u00ab\u00a0principe de parcimonie\u00a0\u00bb et pourrait, dans le langage courant, s\u2019exprimer par la phrase\u00a0:<\/p>\n

\n

\u00ab\u00a0Pourquoi faire compliqu\u00e9 quand on peut faire simple\u00a0?\u00a0\u00bb.<\/p>\n<\/blockquote>\n

L\u2019histoire d\u00e9bute par le vol de la Joconde et sa destruction en direct sur le Net. L\u2019auteur de cet acte se fait appeler Ockham et est affubl\u00e9 d\u2019un grand bec jaune, habill\u00e9 de latex rouge avec un costume d\u2019arlequin.<\/p>\n

Il s\u2019en prend ensuite \u00e0 l\u2019int\u00e9grit\u00e9 de ses victimes. Successivement, il coupe la langue de journalistes, d\u00e9coupe les oreilles de d\u00e9put\u00e9s qui n\u2019\u00e9coutent pas ce que demande le peuple, extrait la cervelle d\u2019une vedette de la t\u00e9l\u00e9-r\u00e9alit\u00e9 qui n\u2019en a pas besoin et scalpe un pseudo philosophe m\u00e9diatique ressemblant \u00e0 Bernard-Henri L\u00e9vy.<\/p>\n

\u00ab\u00a0Il n\u2019avait amput\u00e9 qu\u2019une certaine cat\u00e9gorie d\u2019individus bien identifi\u00e9s, comme on dit pompeusement, des personnalit\u00e9s. Bizarre, ce terme, songea Am\u00e9d\u00e9e en reprenant une vitesse plus normale, comme si les personnes sans notori\u00e9t\u00e9 en \u00e9taient d\u00e9pourvues\u00a0\u00bb.<\/em> (p.178-179)<\/p><\/blockquote>\n

Parall\u00e8lement \u00e0 l\u2019apparition de ce r\u00e9dempteur fou, Paris doit faire face \u00e0 une crue centennale de la Seine. Celle-ci inonde de plus en plus la capitale et Mallock doit bient\u00f4t arriver barque \u00e0 son bureau. Des ponts de fortune sont mis en place pour permettre aux gens de circuler.<\/p>\n

Le c\u00f4t\u00e9 anar du commissaire lui fait appr\u00e9cier ce dingue au d\u00e9but, mais lorsqu\u2019il s\u2019en prend \u00e0 une de ses adjointes et la tue, Mallock ne peut plus rien faire d\u2019autre que de s\u00e9vir.<\/p>\n

\u00ab\u00a0R\u00e9fl\u00e9chissez bien, Mallock, aux ma\u00eetres auxquels vous ob\u00e9issez. Ce ne sont plus simplement nos actes qu\u2019ils interdisent, ce sont nos opinions, les phrases et les mots qui les portent. Quand une soci\u00e9t\u00e9 commence \u00e0 emp\u00eacher les gens de dire, elle n\u2019est plus loin de les emp\u00eacher de penser. Et bient\u00f4t de faire, en mettant les fers aux effar\u00e9s qui voudraient passer outre, Honni soit qui mal y pense. Que ferez-vous lorsque l\u2019on mettra les humoristes en examen\u00a0? Irez-vous vous-m\u00eame les chercher\u00a0? Leur mettre les menottes\u00a0? Les tabasser, s\u2019ils osent se d\u00e9fendre\u00a0? Quelle r\u00e9ponse avez-vous \u00e0 \u00e7a\u00a0?\u00a0\u00bb<\/em> (p.388-389)<\/p><\/blockquote>\n

La sp\u00e9cificit\u00e9 du personnage de Mallock est qu\u2019il a perdu tr\u00e8s t\u00f4t son fils et qu\u2019il utilise l\u2019opium pour calmer ses douleurs int\u00e9rieures et se d\u00e9sinhiber l\u2019esprit, ce qui lui permet \u00e9galement de r\u00e9soudre ses enqu\u00eates. Il va en effet emp\u00eacher cet odieux personnage de mettre son dessein apocalyptique \u00e0 ex\u00e9cution.<\/p>\n

On retrouve avec le principe de parcimonie<\/em>, tout ce qui fait le sel du style Mallock, le c\u00f4t\u00e9 lyrique, baroque, avec cette inondation de sang doubl\u00e9e d\u2019une inondation d\u2019eau. Le style litt\u00e9raire de l\u2019auteur fait toujours son petit effet. Il r\u00e9ussit le coup de force de m\u00e9langer les mots d\u2019auteur et d\u2019utiliser un langage plus \u00e9rudit tout en gardant une fluidit\u00e9 dans la lecture du r\u00e9cit.<\/p>\n

\u00ab\u00a0Le lynchage avait, de tout temps, \u00e9t\u00e9 l\u2019une des pr\u00e9occupations de l\u2019\u00eatre humain. Pierres, coups de poing, parpaings, briques ou tweets, qu\u2019importe, l\u2019essentiel \u00e9tait de d\u00e9truire le singulier pour innocenter le pluriel\u00a0\u00bb<\/em> (p.68)<\/p><\/blockquote>\n

On n\u2019ose imaginer ce que pourrait donner l\u2019adaptation de ce roman sur grand \u00e9cran, tant le foisonnement d\u2019images nous vient \u00e0 l\u2019esprit. Vision apocalyptique due \u00e0 cette crue centennale venant nettoyer les rues de la capitale, comme Ockham vient nettoyer cette esp\u00e8ce de Sodome et Gomorrhe de la m\u00e9diocrit\u00e9 qu\u2019est devenue notre soci\u00e9t\u00e9.<\/p>\n

M\u00e9connu en France, Mallock est pourtant tr\u00e8s populaire en Italie et r\u00e9compens\u00e9 aux Etats-Unis. Ses \u0153uvres sont absolument \u00e0 (re)d\u00e9couvrir, tant elles r\u00e9g\u00e9n\u00e8rent le style du thriller et embarquent le lecteur dans des histoires \u00e9bouriffantes avec un sous-texte m\u00ealant mythologie et critique de notre soci\u00e9t\u00e9.<\/p>\n

En cela, il est temps de mettre Mallock \u00e0 la place qu\u2019il m\u00e9rite, c\u2019est-\u00e0-dire la premi\u00e8re.<\/p>\n

Nicolas Legendre, AS, Edition-Librairie 2018-2019<\/strong><\/p>\n

Sources :
\n<\/strong>Librairie Mollat<\/a>
\nMandor<\/a><\/p>\n

Biographie de l\u2019auteur\u00a0:<\/strong><\/p>\n\n\n\n
\"\"<\/td>\n\n

Nationalit\u00e9\u00a0: Fran\u00e7aise<\/p>\n

N\u00e9 \u00e0 Neuilly-sur-Seine, 1951<\/p>\n<\/td>\n

Artiste touche \u00e0 tout, Jean-Denis Bruet-Ferreol signe avec\u00a0Le Principe de parcimonie<\/em>\u00a0le cinqui\u00e8me volume de ses \u00ab\u00a0Chroniques barbares\u00a0\u00bb.<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Bibliographie s\u00e9lective de l\u2019auteur\u00a0:<\/strong><\/p>\n

\u00a0<\/strong>Les Visages de Dieu<\/em>, Seuil, 2000
\nLe Massacre des innocents<\/em>, Editions JBZ et Cie, 2010
\nLe Cimeti\u00e8re des Hirondelles<\/em>, Fleuve Noir, 2014
\nLes Larmes de Pancrace<\/em>, Fleuve Noir, 2014
\nLe Principe de Parcimonie<\/em>, Fleuve Noir, 2016<\/p>\n","protected":false},"excerpt":{"rendered":"

MALLOCK,\u00a0Le Principe de Parcimonie \u00a0Fleuve Noir, 2016 ISBN\u00a0: 9782265114456 \u00a0\u00a0Sous le pseudonyme de Mallock se cache Jean-Denis Bruet-Ferreol, peintre, photographe, designer, inventeur, compositeur et \u00e9crivain. Le Principe de parcimonie est le cinqui\u00e8me volume d\u2019une s\u00e9rie de thrillers litt\u00e9raires et baroques intitul\u00e9s \u00ab\u00a0Les chroniques barbares\u00a0\u00bb\u00a0:\u00a0\u00ab\u00a0tentative d\u2019\u00e9crire une \u00ab\u00a0com\u00e9die (in)humaine\u00a0\u00bb sur le mode policier, d\u00e9crivant les diff\u00e9rentes […]<\/p>\n","protected":false},"author":1,"featured_media":1547,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"episode_type":"","audio_file":"","podmotor_file_id":"","podmotor_episode_id":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","filesize_raw":"","date_recorded":"","explicit":"","block":"","itunes_episode_number":"","itunes_title":"","itunes_season_number":"","itunes_episode_type":"","h5ap_radio_sources":[],"footnotes":""},"categories":[7],"tags":[94],"class_list":["post-1536","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-litterature-francaise","tag-roman-policier"],"yoast_head":"\nMALLOCK,\u00a0Le Principe de Parcimonie - Litt'Express<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/littexpress.iut.u-bordeaux-montaigne.fr\/index.php\/2018\/12\/18\/mallock-le-principe-de-parcimonie\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"MALLOCK,\u00a0Le Principe de Parcimonie - Litt'Express\" \/>\n<meta property=\"og:description\" content=\"MALLOCK,\u00a0Le Principe de Parcimonie \u00a0Fleuve Noir, 2016 ISBN\u00a0: 9782265114456 \u00a0\u00a0Sous le pseudonyme de Mallock se cache Jean-Denis Bruet-Ferreol, peintre, photographe, designer, inventeur, compositeur et \u00e9crivain. 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