{"id":1767,"date":"2019-03-05T20:58:58","date_gmt":"2019-03-05T19:58:58","guid":{"rendered":"https:\/\/littexpress.iut.u-bordeaux-montaigne.fr\/?p=1767"},"modified":"2019-11-25T16:15:10","modified_gmt":"2019-11-25T15:15:10","slug":"gauz-debout-paye","status":"publish","type":"post","link":"https:\/\/littexpress.iut.u-bordeaux-montaigne.fr\/index.php\/2019\/03\/05\/gauz-debout-paye\/","title":{"rendered":"GAUZ, Debout-Pay\u00e9"},"content":{"rendered":"

Gauz, Debout-Pay\u00e9<\/em><\/span><\/h1>\n

Le Nouvel Attila, 2014
\n<\/b>Le Livre de poche, 2016
\n<\/b>ISBN 978-2-253-18555-0<\/b><\/p>\n

M\u00e9andres de la soci\u00e9t\u00e9 de consommation<\/h2>\n

Les candidats grimpent, tels des alpinistes en plein effort, l\u2019escalier qui les m\u00e8nent \u00e0 l\u2019agence de s\u00e9curit\u00e9 Protect-75. Tous issus de la \u00ab \u00ab\u00a0<\/i><\/span>communaut\u00e9 <\/i>\u00ab\u00a0<\/i><\/span> africaine<\/i> \u00bb1<\/sup><\/a>, ils seront les futurs vigiles des magasins parisiens, exer\u00e7ant un m\u00e9tier que \u00ab dans le milieu des Ivoiriens en France<\/i> \u00bb on d\u00e9signe par l\u2019expression \u00ab debout-pay\u00e9<\/i> \u00bb, c\u2019est \u00e0 dire m\u00e9tier \u00ab o\u00f9 il faut rester debout pour gagner sa pitance<\/i> \u00bb2<\/sup><\/a>. On d\u00e9couvre rapidement deux d\u2019entre-eux : Ossiri et Kassoum qui partagent le m\u00eame toit pr\u00e9caire du c\u00f4t\u00e9 de la Bastille. Les jours o\u00f9 il ne travaillent pas, ils regardent les f\u00eatards de leur quartier s\u2019\u00e9chouer au petit matin. <\/span><\/p>\n

Lorsqu\u2019il est \u00e0 son poste de vigile, Ossiri a aussi ce recul, cette lucidit\u00e9 par rapport \u00e0 une client\u00e8le ivre des biens de consommation. En effet, apr\u00e8s l\u2019avoir suivi dans ses p\u00e9r\u00e9grinations dans la ville, nous nous infiltrons par l\u2019interm\u00e9diaire de ses pens\u00e9es dans les magasins pour lesquels il travaille : Cama\u00efeu et Sephora n\u2019auront bient\u00f4t plus de secret pour nous. A son poste de surveillance, le vigile a un point de vue privil\u00e9gi\u00e9 sur la physiologie de notre soci\u00e9t\u00e9.<\/span><\/p>\n

En passant en revue les observations que peut faire un vigile pendant sa journ\u00e9e de travail, Gauz nous offre une vision dense de ces lieux o\u00f9 notre soci\u00e9t\u00e9 de consommation bat son plein. L\u2019auteur compose un tableau vivant en juxtaposant de courtes descriptions, des jeux de mots ou des th\u00e9ories personnelles. Il navigue aussi continuellement entre pass\u00e9 et pr\u00e9sent cherchant \u00e0 des comportements futiles des explications sociologiques ou historiques. Il pointe en particulier la survivance de l\u2019\u00e9poque colonialiste dans les comportements actuels. Du c\u00f4t\u00e9 des descendants de colonis\u00e9s ou de ceux des colons, la domination pass\u00e9e de la civilisation occidentale rejaillit partout comme une plante invasive. Comment y \u00e9chapper ? <\/span><\/p>\n

D\u2019autres chapitres du roman sont consacr\u00e9s au r\u00e9cit d\u2019\u00e9pisodes du pass\u00e9 de ressortissants africains plus ou moins proches d\u2019Ossiri et Kassoum. En effet, outre une carte des magasins o\u00f9 le clinquant est de rigueur, l\u2019auteur dessine celle des r\u00e9sidences h\u00e9bergeant traditionnellement les jeunes \u00e9tudiants africains \u00e0 Paris, habitats qui se d\u00e9gradent ou ferment au fil des ann\u00e9es. Le monde des \u00ab vautours<\/i> \u00bb3<\/sup><\/a> semblent avoir pris le dessus. Gauz nous rappelle le durcissement des conditions d\u2019accueil des immigrants africains, notamment par l\u2019obligation de possession de la fameuse carte de s\u00e9jour depuis les ann\u00e9es 70 : \u00ab du jour au lendemain une nouvelle race de citoyens venait d\u2019\u00eatre invent\u00e9e : les sans-papiers<\/i> \u00bb4<\/sup><\/a>. En nous faisant le r\u00e9cit de la vie, \u00e0 plusieurs \u00e9poques, d\u2019immigrants africains qui tentent de s\u2019installer en France, Gauz montre comment ces d\u00e9cisions politiques prisent pour masquer les causes r\u00e9elles des probl\u00e8mes \u00e9conomiques influent sur la vie de simples humains. Si les situations se r\u00e9p\u00e8tent d\u2019une g\u00e9n\u00e9ration \u00e0 l\u2019autre, le contexte est de plus en plus rude.<\/span><\/p>\n

Ossiri est venu en France pour \u00ab <\/span>voir du pays<\/i><\/span> \u00bb, parce que \u00ab <\/span>l\u2019appel du large \u00e9tait bien trop fort, bien trop insondable en son for int\u00e9rieur<\/i><\/span> \u00bb5<\/sup><\/a>. On sent ce souffle et cette \u00e9nergie tout au long du roman. Gauz en nous faisant passer d\u2019une \u00e9poque \u00e0 une autre, d\u2019un quartier \u00e0 un autre, d\u2019un style d\u2019\u00e9criture \u00e0 un autre nous fait partager l\u2019intensit\u00e9 de cette vocation. Les personnages sont toujours en mouvement. Ils d\u00e9ambulent dans la ville. Et, quand ils s\u2019arr\u00eatent, c\u2019est la ville qui d\u00e9ambule dans leur t\u00eate.<\/span><\/p>\n

L\u2019omnipr\u00e9sence d\u2019un humour assez radical, parfois corrosif donne aussi de la puissance \u00e0 ce texte. Chaque situation est une occasion de rire, de mani\u00e8re pas toujours politiquement correcte, mais la vision d\u2019ensemble propos\u00e9e par l\u2019auteur est sous-tendue par un d\u00e9sir de justice sociale. Le regard lucide qu\u2019il pr\u00e9sente dans ce livre en nous donnant l\u2019occasion de voir les travers de notre mod\u00e8le \u00e9conomique rend \u00e9vident la n\u00e9cessit\u00e9 d\u2019un changement. <\/span><\/p>\n

Gauz a dans cette fiction mis des observations issues de sa propre exp\u00e9rience d\u2019immigrants sans-papiers et de vigile. Il a collect\u00e9 dans diff\u00e9rentes strates spatio-temporelles ce qui pouvait notamment rendre intelligibles les difficult\u00e9s des ressortissants africains en France. Gauz a r\u00e9cemment sorti un second livre <\/span>Camarade papa <\/i><\/span>dans lequel les voix de \u00ab deux narrateurs \u00bb6<\/sup><\/a>  s\u2019entrecroisent : l\u2019une est celle d\u2019un jeune colon qui arrive en C\u00f4te d\u2019Ivoire \u00e0 la fin du XIX\u00e8me si\u00e8cle, l\u2019autre celle d\u2019un enfant issu d\u2019une famille ivoirienne qui n\u00e9 aux Pays-Bas dans les ann\u00e9es 70. Il continue ainsi \u00e0 s\u2019interroger sur le colonialisme et sur sa persistance dans notre monde contemporain.<\/span><\/p>\n

\n

1<\/a>Debout-pay\u00e9<\/i>, p.12<\/p>\n<\/div>\n

\n

2<\/a>Ibid<\/em>, p.33<\/p>\n<\/div>\n

\n

3<\/a>Ibid.<\/i>, p.19<\/p>\n<\/div>\n

\n

4<\/a>Ibid<\/em>., p.72<\/p>\n<\/div>\n

\n

5<\/a>Ibid.<\/em>, p.124<\/p>\n<\/div>\n

\n

6 <\/a>\u00ab\u00a0Entretien avec Gauz\u00a0\u00bb, En attendant Nadeau<\/em>, 2018<\/p>\n<\/div>\n

M.L., AS, Biblioth\u00e8ques-M\u00e9diath\u00e8ques, 2017-2018<\/p>\n

Sources
\n<\/b>Debout-pay\u00e9<\/i>, Gauz, le livre de poche, 2016
\n\u00ab\u00a0Entretien avec Gauz\u00a0\u00bb<\/a>, Natalie Levissales, En attendant Nadeau<\/em> n\u00b064, octobre 2018 [consult\u00e9 le 18\/11\/2018]<\/p>\n

Biographie de l\u2019auteur<\/b><\/p>\n\n\n\n
\"\"<\/td>\nNationalit\u00e9\u202f: ivoirienne
\nN\u00e9 \u00e0 Abidjan (1971)<\/td>\n		\n

Armand Patrick Gbaka-Br\u00e9d\u00e9 Gauzorro, dit Gauz, est n\u00e9 en 1971 en C\u00f4te d\u2019Ivoire \u00e0 Abidjan. Il arrive en France \u00e0 28 ans, dipl\u00f4m\u00e9 d\u2019une ma\u00eetrise de biochimie. Etudiant sans-papiers, il exerce diff\u00e9rents m\u00e9tiers dont celui d\u2019agent de s\u00e9curit\u00e9. R\u00e9sidant aujourd\u2019hui \u00e0 Abidjan, il est entre autre sc\u00e9nariste, documentariste et journaliste. Apr\u00e8s son premier roman publi\u00e9 en 2014, <\/span>Debout-pay\u00e9,<\/i> qui rencontra un vif succ\u00e8s public et critique, il publie cette ann\u00e9e <\/span>Camarade papa<\/i> aux \u00e9ditions du Nouvel Attila.<\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

Bibliographie non exhaustive
\n<\/b>Camarade papa<\/i>, Le Nouvel Attila, 2018<\/p>\n

 <\/p>\n

\n

\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Gauz, Debout-Pay\u00e9 Le Nouvel Attila, 2014 Le Livre de poche, 2016 ISBN 978-2-253-18555-0 M\u00e9andres de la soci\u00e9t\u00e9 de consommation Les candidats grimpent, tels des alpinistes en plein effort, l\u2019escalier qui les m\u00e8nent \u00e0 l\u2019agence de s\u00e9curit\u00e9 Protect-75. Tous issus de la \u00ab \u00ab\u00a0communaut\u00e9 \u00ab\u00a0 africaine \u00bb1, ils seront les futurs vigiles des magasins parisiens, exer\u00e7ant un m\u00e9tier que […]<\/p>\n","protected":false},"author":1,"featured_media":1769,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"episode_type":"","audio_file":"","podmotor_file_id":"","podmotor_episode_id":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","filesize_raw":"","date_recorded":"","explicit":"","block":"","itunes_episode_number":"","itunes_title":"","itunes_season_number":"","itunes_episode_type":"","h5ap_radio_sources":[],"footnotes":""},"categories":[137],"tags":[138,139],"class_list":["post-1767","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-litterature-ivoirienne","tag-post-colonisation","tag-roman-de-formation"],"yoast_head":"\nGAUZ, Debout-Pay\u00e9 - Litt'Express<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/littexpress.iut.u-bordeaux-montaigne.fr\/index.php\/2019\/03\/05\/gauz-debout-paye\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"GAUZ, Debout-Pay\u00e9 - Litt'Express\" \/>\n<meta property=\"og:description\" content=\"Gauz, Debout-Pay\u00e9 Le Nouvel Attila, 2014 Le Livre de poche, 2016 ISBN 978-2-253-18555-0 M\u00e9andres de la soci\u00e9t\u00e9 de consommation Les candidats grimpent, tels des alpinistes en plein effort, l\u2019escalier qui les m\u00e8nent \u00e0 l\u2019agence de s\u00e9curit\u00e9 Protect-75. 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