{"id":834,"date":"2018-03-11T21:43:53","date_gmt":"2018-03-11T20:43:53","guid":{"rendered":"https:\/\/littexpress.iut.u-bordeaux-montaigne.fr\/?p=834"},"modified":"2018-12-19T23:41:21","modified_gmt":"2018-12-19T22:41:21","slug":"simonetta-greggio-femmes-de-reve-bananes-et-framboises","status":"publish","type":"post","link":"https:\/\/littexpress.iut.u-bordeaux-montaigne.fr\/index.php\/2018\/03\/11\/simonetta-greggio-femmes-de-reve-bananes-et-framboises\/","title":{"rendered":"Simonetta GREGGIO, Femmes de r\u00eave, bananes et framboises"},"content":{"rendered":"

Simonetta Greggio, Femmes de r\u00eave, bananes et framboises<\/em><\/h1>\n

Ed. Flammarion, 2015\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 collection \u00ab\u202fFiction Fran\u00e7aise\u202f\u00bb\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 ISBN 2-081-22404-9<\/b><\/p>\n

Pour intituler son dernier recueil de nouvelles, Simonetta Greggio emprunte les paroles \u00e0 une chanson de Paolo Conte\u00a0: Donne di sogno, banane e lamponi<\/em>* \u2014 Femmes de r\u00eaves, bananes et framboises<\/em>, mots qui nous renvoient\u00a0\u00e0 une ambiance ensoleill\u00e9e empreinte d\u2019une l\u00e9g\u00e8ret\u00e9 avec un go\u00fbt de plaisir. Pourtant, les th\u00e8mes abord\u00e9s dans ces histoires qui ont peu en commun sont loin d\u2019\u00eatre futiles ou superficiels. Bien au contraire, \u00e9voquant chacun \u00e0 sa mani\u00e8re le drame du destin humain et les questionnements qui l\u2019accompagnent, ils refl\u00e8tent profond\u00e9ment les r\u00e9alit\u00e9s de la vie des femmes et des hommes confront\u00e9s \u00e0 leurs propres choix, \u00e0 leur propre vuln\u00e9rabilit\u00e9, toujours \u00e0 la lumi\u00e8re de l\u2019amour.<\/p>\n

Car Simonetta Greggio sait parler de l\u2019amour, comme en t\u00e9moignent, par exemple, ses livres La douceur des hommes<\/em>\u00a0 (Stock, 2005) ou L\u2019homme qui aimait ma femme<\/em> (Stock, 2012). Cette journaliste et \u00e9crivaine italienne d\u2019expression fran\u00e7aise install\u00e9e en France depuis 1981 qui a commenc\u00e9 sa carri\u00e8re en \u00e9crivant les ouvrages consacr\u00e9s \u00e0 l\u2019art de vivre et \u00e0 la cuisine, sort son premier roman en 2005 et se d\u00e9marque rapidement par son \u00e9criture sensuelle, subtile et emphatique. Sa passion pour l\u2019Italie transparait dans ses textes en permettant de d\u00e9couvrir chaque fois une nouvelle facette de ce pays.<\/p>\n

Cesser de r\u00eaver<\/strong><\/h2>\n

La singularit\u00e9 du style de Greggio appara\u00eet particuli\u00e8rement dans les sept nouvelles du recueil Femmes de r\u00eave, bananes et framboises<\/em>\u00a0qu\u2019elle consid\u00e8re comme \u00ab\u00a0des \u00e9tats d\u2019\u00e2me\u00a0\u00bb<\/em>. Le lecteur en trouve la preuve dans la sinc\u00e9rit\u00e9 des personnages, r\u00e9els ou fictifs, dans l\u2019authenticit\u00e9 de leurs \u00e9motions et leurs r\u00e9flexions.<\/p>\n

\u00ab\u00a0Il n\u2019y a rien de pire qu\u2019un beau r\u00eave quand on est enferm\u00e9s dans un camp comme celui-l\u00e0. Il n\u2019y a rien de pire que ne pas avoir froid, ne pas avoir faim, parce que quand la r\u00e9alit\u00e9 revient on n\u2019a pas envie de quitter la douceur pour l\u2019atrocit\u00e9, la chaleur pour l\u2019horreur glac\u00e9e. Un beau r\u00eave est une cruaut\u00e9 de plus pour un homme qui se meurt dans cet endroit [\u2026] .\u00bb <\/em>(p.26)<\/p><\/blockquote>\n

se confie un rescap\u00e9 d\u2019Auschwitz \u00e0 son interlocuteur, en racontant l\u2019histoire de sa survie gr\u00e2ce \u00e0 une chienne qui est devenue sa meilleure amie (\u00ab\u00a0Os de Lune\u00a0\u00bb). Le tragique de l\u2019existence humaine est \u00e9galement \u00e9clair\u00e9 dans la nouvelle \u00ab\u00a0Signor giudice\u00a0\u00bb qui fait l\u2019\u00e9cho \u00e0 deux romans de Simonetta Greggio, Dolce Vita 1959-1979<\/em> (Stock, 2010) et\u00a0Les Nouveaux Monstres 1978-2014<\/em>\u00a0(Stock, 2014) en \u00e9voquant des inqui\u00e9tantes r\u00e9alit\u00e9s de la soci\u00e9t\u00e9 italienne gangren\u00e9e par la Mafia et la corruption. Ici, dans la lettre adress\u00e9e au juge antimafia, son futur assassin d\u00e9voile non seulement le modus operandi<\/em> de Cosa Nostra, mais aussi le drame personnel qui le r\u00e9unit avec son ennemi et sa victime\u00a0:<\/p>\n

\u00ab Le mal, monsieur le juge, change de forme, de proc\u00e9d\u00e9 et de mode op\u00e9ratoire, mais il demeure \u00e9gal \u00e0 lui-m\u00eame dans l\u2019espace et le temps. Nous faisons partie, vous et moi, du m\u00eame monde\u00a0: j\u2019existe parce que vous existez, deux occurrences n\u00e9cessaires l\u2019une \u00e0 l\u2019autre, pas d\u2019ombre sans lumi\u00e8re, et r\u00e9ciproquement.\u00a0\u00bb<\/em> (pp.64-65)<\/p><\/blockquote>\n

Dans la vie et dans la mort<\/strong><\/h2>\n

Cependant, c\u2019est dans son approche de l\u2019amour que Simonetta Greggio r\u00e9v\u00e8le sa main de ma\u00eetre, en d\u00e9voilant l\u2019essentiel gr\u00e2ce \u00e0 sa plume libre et incisive. Ses personnages, tous en qu\u00eate d\u2019amour, se questionnent sur son sens et sur son r\u00f4le dans leur vie. Pour l\u2019h\u00e9ro\u00efne de la premi\u00e8re nouvelle \u00ab\u00a0Nous sommes tous des enfants de Cassius Clay\u00a0\u00bb, l\u2019amour est \u00ab\u00a0une forme de compassion animale\u00a0\u00bb<\/em> qu\u2019elle \u00e9prouve pour son amant, mais c\u2019est \u00e9galement quelque chose de plus grand, de plus insaisissable, qui se trouve entre la vie et la mort\u00a0:<\/p>\n

\u00a0\u00ab\u00a0Cette naissance, cette mort, je les revivais chaque fois avec Abraham. Ensemble, nous \u00e9tions plus vivants que jamais, et plus que jamais conscients du corps qui battait, et que, bient\u00f4t, rien de tout cela ne battrait plus. Voil\u00e0 ce que j\u2019appelle amour.\u00a0\u00bb <\/em>(p.18)<\/p><\/blockquote>\n

C\u2019est ici que Greggio exprime une intimit\u00e9, comme elle fera plus tard dans la nouvelle \u00ab\u00a0Il pleuvait quand je suis partie\u00a0\u00bb, en mots intenses, fougueux, passionn\u00e9s qui font l\u2019effet d\u2019une d\u00e9charge \u00e9lectrique, \u00e0 bout de souffle, \u00e0 bout de c\u0153ur\u2026<\/p>\n

Pour Simonetta Greggio, le lien entre l\u2019amour, la vie et la mort est \u00e9vident, inexorable, indestructible. Il se dessine en filigrane dans chaque histoire pour se manifester avec force dans la derni\u00e8re nouvelle au titre \u00e9ponyme du recueil qui repr\u00e9sente une sorte de manifeste de vie de la narratrice. En imaginant le jour de son enterrement, elle \u00e9num\u00e8re tout ce qu\u2019elle a aim\u00e9 le plus en r\u00e9v\u00e9lant ainsi la vraie valeur de ces petites choses qui font notre bonheur\u00a0:<\/p>\n

\u00ab\u00a0J’ai passionn\u00e9ment aim\u00e9 les papillons, surtout les bleus. Mon grand p\u00e8re avec son chapeau de paille et sa chemise blanche, une b\u00eache \u00e0 la main. L’odeur du foin m\u00fbr.[\u2026] La neige qui crisse sous les pas. Le brouillard qui danse par nappes voil\u00e9es dans la campagne \u00e0 l\u2019automne. [\u2026]Les yeux noirs de mon amoureux. [\u2026]Penser \u00e0 la mort. Penser \u00e0 la vie.\u00a0\u00bb<\/em> (pp.132-134)<\/p><\/blockquote>\n

Sa liste finit par la vie comme un d\u00e9fi \u00e0 la mort, comme une n\u00e9cessit\u00e9 d\u2019aimer aussi.<\/p>\n

M\u00e9lodieuses, troublantes, poignantes et tellement passionn\u00e9es, ces nouvelles de Simonetta Greggio poussent \u00e0 s\u2019\u00e9lever au-dessus de la routine, au-del\u00e0 de la m\u00e9diocratie, pour regarder la vie en face et \u00e9treindre l\u2019amour sans h\u00e9sitation.<\/p>\n

Andreya Khylya, AS Biblioth\u00e8ques-M\u00e9diath\u00e8ques, 2017-2018.<\/p>\n

* Paolo Conte,\u00a0Onda su onda<\/em>, 1974<\/p>\n

Sources
\n<\/strong>http:\/\/www.lexpress.fr\/culture\/livre\/dolce-simonetta_822114.html<\/a> : L\u2019EXPRESS, Livres, Dolce Simonetta<\/em> par Delphine Peras, publi\u00e9 le 26\/04\/2007 \u00e0 00:00
\nhttp:\/\/www.francetvinfo.fr\/replay-radio\/info-culture\/simonetta-greggio-des-nouvelles-de-lamour_1776279.html<\/a> : Franceinfo, Simonetta Greggio : des nouvelles de l\u2019amour<\/em> par Anne Ch\u00e9peau, mis \u00e0 jour le 23\/04\/2015 \u00e0 07:18, publi\u00e9 le 23\/04\/2015 \u00e0 07:18
\nhttp:\/\/www.lci.fr\/culture\/femmes-de-reve-bananes-et-framboises-pourquoi-le-chien-tient-a-coeur-a-simonetta-greggio-1198948.html<\/a> : LCI, Culture, \u00ab\u00a0Femmes de r\u00eave, bananes et framboises\u00a0\u00bb : pourquoi le chien tient \u00e0 c\u0153ur \u00e0 Simonetta Greggio<\/em> par Michel Field, mis \u00e0 jour : le 28\/04\/2015 \u00e0 06h29, cr\u00e9\u00e9 : le 28\/04\/2015 \u00e0 06h29<\/p>\n

Biographie de l’auteur<\/strong> :<\/p>\n\n\n\n
\"\"<\/td>\nNationalit\u00e9 : Italie
\nN\u00e9 \u00e0 : Padoue, Italie , le 21\/04\/1961<\/td>\n		\u00a0Arriv\u00e9e \u00e0 Paris en 1981, o\u00f9 elle vit depuis, elle a \u00e9t\u00e9 journaliste pendant plusieurs ann\u00e9es, collaborant \u00e0 des revues et magazines divers dont City, T\u00e9l\u00e9rama, La Repubblica, Figaro Madame\u2026<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

Bibliographie s\u00e9lective de l’auteur
\n<\/strong>La douceur des hommes<\/em>, \u00e9ditions Stock, 2005
\n\u00c9toiles<\/em>, \u00e9ditions Flammarion, 2006
\nDolce Vita 1959-1979<\/em>, \u00e9ditions Stock, 2010. – \u00a0Finaliste du prix Renaudot et du prix Interalli\u00e9
\n<\/strong>L\u2019homme qui aimait ma femme<\/em>, \u00e9ditions Stock, 2012
\nBlack Messie<\/em>, \u00e9ditions Stock, 2016. – Prix Casanova 2017<\/strong><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Simonetta Greggio, Femmes de r\u00eave, bananes et framboises Ed. 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